![]() The West German foreign minister, Hans-Dietrich Genscher, said a special group would be set up to investigate the possible involvement of a foreign country in the attack. Last Saturday, a bomb wrecked a German-Arab club in the city and injured seven Arabs. The explosion was the second in West Berlin in a week. Some were covered in blood, and their clothes were in tatters." "They were waving their arms about and were in an hysterical state. "Then I found myself in the cellar as the floor had collapsed."ĭieter Jaehner, 46, who lives nearby, said, "I saw through my balcony window men and women running in and out of the disco. "There was suddenly a loud bang, unbelievably loud," said a disc-jockey. The outside walls of the building, which had been surrounded by scaffolding for rebuilding work, were blown in by the blast. The disco is a favourite with American servicemen, and many of those injured were soldiers. The bomb went off at 0150 local time (2350 GMT) when La Belle disco was packed with nearly 500 people. Peter Max has become a huge commercial success in the U.S., where his unique combination graphic arts-photographic creations appear on pop-art posters, a postage stamp, the NBC logo in the form of a peacock, a stone from the Berlin Wall and the body of a commercial jet and, perhaps because of his love for Lady Liberty and his staunch patriotism, he has been chosen to commemorate several public events through his art, such as his recent installation “44 Obamas,” official posters for the Grammy Awards, and the start of the Millennium.A bomb has exploded in a crowded discotheque in Berlin, Germany, killing two and injuring at least 120, including more than 40 Americans.Īmerican authorities in Berlin said the two dead were an American soldier and a Turkish woman of 28. Sensuous curves, bold and bright, or perhaps gloomy, colors, strong vitality, compelling contrasts, expressive brush marks and occasional unexpected, even jarring, applications of color mark the work of the Neo-Fauvists.Ĭontemporary artists who are considered Neo-Fauvists include Maryse Casol, Lillia Frantin, Peter Max, Reiner Fetting and Helmut Middendorf. Not unexpectedly, one thread that weaves through Neo-Fauvism is a strong sense of freedom in creation. They don’t paint what they see, they paint how they see it. The “new” Fauvists, like their predecessors, who were strongly influenced by French painters Andre Derain and Henri Matisse, share a love of, and need for, modernistic expression, sometimes to an extreme. The philosophical progeny of the “wild beasts” - or Fauvists - from the turn of the century appeared on the art scene in the late 1970s and were dubbed the Neo-Fauvists (although the same term was used to describe the paintings of Chinese artist Li Dongping from the 1930s in the memoirs of fellow artist Liang Xihong, which were published in 1948). ![]() Hardware gear includes: Moog Matriarch, Bastl Instruments bitRanger, Akai Force, Korg Kaossilator Pro Plus, Boss RE-20 Space Echo, Eventide Space, Digitech HyperPhase. Virtual online synths include: Disco Computer Synth, AcidMachine 2, Noise Sculptor, WebSynths Grooves, WebSynths Microtonal, Google AR Synth, Mod Synth. "Monstrous masterpiece, looming like serendiptitious storm cloud clusters over the techno synthpop scene of 2021." ![]() Susette Sumset, Disco Android Boutique Reviews ![]() Str8 Sounds explores sonic territory, pasticcio transmissions, neologistic dream fields, and gorgheggio labyrinths that all EDM and experimental technology keyboardists, emo vocoder-crooners, and hybrid drummers will set up shop in, within the next 20 or 50 years." "Another colossal artistic achievement from the Master of Nuanced Antiphonia, blazing new cabeletta trails for musique elektropop: forging new bastions of spontaneous sprechgesang and stromento d'electronica. "Neo-Fauvist Fantasyland" is presented with the kind superstitions of the Association for the Advancement of Internet Music, and is made possible by SECRET SONIC SCIENCE PRODUCTIONS. PLUS: stray tracks from 2016, newly re-discovered on a flimsy, swampy hard drive, drifting astronomically on a tide of fugue mis-wanderings, unmindedly lost in the bowels of glum archaic file archive dungeons. Synthpop techno sludge produced March 2021, both with virtual online web browser-based synthesizers and with hardware gear. ![]()
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